He died of complications related to AIDS on Maat the age of 44. His imagery helped develop a new canon of beauty throughout the 1970s and 1980s. Throughout his career he has used different materials, pencils, pens, ink, watercolor, polaroid etc. Rizzoli is proud to present the first complete monograph on the work of influential fashion artist and illustrator Antonio Lopez titled ANTONIO LOPEZ: Fashion, Art, Sex, and Disco By Roger Padilha and Mauricio Padilha. Through his work, Antonio made great strides in exploring and representing the gendered, ethnic or racialized body within the world of high fashion. Antonio Lopez, Harper ‘s Bazaar Italy, 1973. He later moved to Paris with his friend and business partner, Juan Ramos, where they both worked with Karl Lagerfeld and many other designers. He eventually became a freelance artist for many of the top fashion publications. He collaborated with the noted designer Charles James, creating an illustrated inventory of James’ fashion designs (now in the collection of the Chicago History Museum). Lopez was at the forefront of fashion illustration for 30 years and, with life-long business partner Juan Ramos, influential in launching the careers of Jerry Hall and Grace Jones and. From there he went on to attend the High School of Art and Design and the Fashion Institute of Technology.Īntonio rose to prominence illustrating fashions for Women’s Wear Daily and The New York Times. At the age of twelve, Lopez earned a scholarship to the prestigious Traphagen School of Fashion, which provided Saturday programming for children. The first complete monograph on Antonio Lopez, the influential Warholian fashion illustrator of the 1960s, ’70s, and ’80s. Like Andy Warhol, he documented the heirs to the legacy of the ’60s jet set. He also helped his father, a mannequin maker, to apply make-up and stitch wigs on to the figures. A man-about-town, Lopez was at the center of a fashion- and dance-mad crowd in New York. To keep her son off the streets, Lopez’s mother, a seamstress, would ask him to draw flowers for her embroideries. He has chapters about media education in Media Literacy: A Reader Youth Media, International Perspectives on Youth Media: Cultures of Production and Education, UNESCO 2015 Yearbook Media and Information Literacy and Intercultural Dialog, Ecopedagogy of Environmental Communication, Popular Culture and the Austerity Myth: Hard Times Today, International Handbook of Media Literacy, The International Encyclopedia of Media Literacy, and The Handbook on Media Education Research and a section in the MacArthur Foundation series, Digital Media Learning.Antonio Lopez was born in Utuado, Puerto Rico on February 11, 1943. His family lived in East Harlem in New York City when Antonio was seven, where he attended P.S.72 on East 104th Street, two blocks from where El Museo now stands. A multi-talented troublemaker, illustrator, photographer, night-owl and world traveler, Antonio Lopez injected the world of style with his own brand of ultra-sexy desirability. He has essays in several popular culture books, including Travelers Tales: Cuba, In Search of Adventure, Towards 2013, and The End of Money. During the 1960s and 1970s, he revolutionized the world of fashion magazines. The late Antonio Lopez was one of the best fashion illustrators, if not THE best of his day a day when fashion illustration as still a thing. I t has been twenty-nine years since the passing of Antonio Lopez (1943-1987), the legendary Puerto Rican fashion illustrator and photographer who succumbed to AIDS. He was an arts writer for Santa Fe’s daily newspapers, The New Mexican and the Albuquerque Journal North. López’s background in print journalism includes writing for LA Weekly, Frontera, Hispanic Magazine, Urban Latino, Southwest Art, El Andar, In These Times, New Mexico Magazine, Native Peoples, Tricycle and Punk Planet.
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